Clybourne Park, the Tony award winning drama now on stage at Music Theatre of Connecticut

The moving and complex drama, Clybourne Park is now on stage at the Music Theatre of Norwalk.  This two act drama that is set in 1959 and in 2009 examines the state of race relations and of property ownership in the same neighborhood, fifty years apart. This play is both dramatic and thought provoking and we found ourselves talking about it long after its conclusion.

Act One introduces us to Bev (Susan Haefner) as the typical proper 1950s housewife.  Her husband Russ  (Frank Mastrone) is also introduced and we see the couple preparing to move from their home in a working class neighborhood  of Chicago.  The neighborhood is all white.  There is sadness about their move as we find that their adult son committed suicide in the house and the couple feel the need to start over elsewhere. 

The action begins to heat up when Karl (Nick Roesler) a neighbor and member of the community association enters the scene.  He attempts to unravel the sale of the house as he has learned a black family is the purchaser of the house and he and others fear the change to their neighborhood and destroy their property values.  The conversation escalates into an argument as Karl proposes legal strategies to void the sale.  Looking on the whole time are the black maid Francine (Rae Janeil) and her husband Albert (SJ Hannah) who act with remain out of the fray with an air of dignity but obviously repulsed by Karl and his overt racism.  Jim is not persuaded to call off the sale and asks where were the neighbors and their concern when their son died?

Albert offers to help carry a large foot locker belonging to the son down the stairs which Jim plans to bury in the yard.  The foot locker crashes down to the bottom of the staircase and the heavy thud had the audience riveted and questioning what was inside.

Act Two brings us into the year 2009 where we see the house in a state of disrepair.  The neighborhood for decades has been predominately occupied by African Americans who now witness white professionals buying up the homes due to the close proximity to downtown.  The entire scene involves a discussion between the architect, (Matt Mancuso) existing homeowners and the new owners Steve (Nick Roesler) and Lindsey (Allie Siebold) .  The script is now flipped.  The new homeowners want to tear down the existing house and build a larger modern house which is out of scale and style with the neighborhood.  The African American homeowners are resistant to the changes and the gentrification of the neighborhood.  The race relations of 1959 has totally been turned upside down, as the white professionals find themselves unwanted.  It reveals how little progress has been made in 50 years.  A little humor is sprinkled in this argument filled second act as the plumber comes in and out and finally reveals a foot locker he has discovered buried in the yard.  Will opening the box open or heal the wounds of Clybourne Park? Another fine production from MTC.

Written by Bruce Norris, and directed by Pamela Hill.  Kevin Connors is the Executive Artistic Director.Sound Design by Jon Damast, lighting Design by RJ Romeo, Costume Design by Diane Vanderkroef.Scenic Design by Martin Scott Marchitto ,Fight & Intimacy Choreography by Dan O’Driscoll Cultural Consulting by Dr. Sharon J. White and Stage Managed by Abbey Murray.

On stage through November 19th, 2023

For tickets and information https://www.musictheatreofct.com/clybourne-park

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Lend Me a Tenor, the side splitting comedy now at the Music Theatre of Connecticut

A hilarious zany  comedy is now on stage at the Music Theater of Connecticut.  Lend me a Tenor was first produced on the  West End (London) in 1986 and on Broadway in 1989. The play was nominated for nine Tony awards, and won two.    It also was nominated for six Drama Desk awards and won four.  Now this comedy is on stage until November 20th. It is truly in the style of modern British comedy with exaggerated acting, physical comedy, over the top characters and a clever set that is a vital part of the story.

Hold on to your armrests as you may just fall out of your seat from laughing too hard!   The play is set in a hotel suite in Cleveland Ohio in 1934.  An internationally famous opera tenor, Tito Merelli is coming to Cleveland to perform the famous role of Pagliacci the clown.   His anticipated arrival is a huge event for the local theater which is betting their season on this performance.  Merelli is quite the ladies man and when he arrives we discover that all the women in the play are all trying to seduce him with the exception of his wife who storms out of the hotel after she suspects him of an affair.   Act One soon gets turned on his head as Merelli mixes too many sleeping pills and wine.  The theater manager fearing that his star is dead asks his assistant Max to don the make up and costume of Pagliacci and assume his role that very evening on stage. If the play is cancelled it could spell disaster for the theater.

The stage design is an integral and very important part of the comedy.  The stage is one large hotel suite with a partial wall that divides the bedroom from the sitting area.  The audience can see all the action in both rooms but the characters cannot.   There are also 5 doors that exit the room, two to closets, one to the bathroom and two to the corridor.  These doors are part of this very over the top physical comedy as the actors race in and out of the doors.   Act Two turns the whole story on its head.  Is Merelli the word famous tenor really dead?  Or just in a deep sleep? Is there room for two operatic clowns in this comedy?  Will Max overcome his fears and appear on stage as Pagliacci and save the day?  You will have to see to find out.

Direction of this witty, fast moving comedy is essential for its success. Timing in comedy is everything and director Pamela Hill brings out the comedic best in this ensemble of fine actors. From rapid fire delivery to exaggerated facial expressions, the delivery is right on target.

Lend Me A Tenorstars Frank Mastrone (B’way- Phantom, Jekyll & Hyde, BIG) as Tito Merelli, Jeff Gurner(B’way- The Lion King, MTC- Sunset Boulevard) as The Bellboy, Michael Damian Fasano (Tour of Jersey Boys, Summer Theatre of New Canaan- West Side Story) as Max, Cynthia Hannah (TV- The Guiding Light, All My Children) as Maria, Jim Schilling(Hamlet with Tony Roberts, South Pacific with Jamie Farr) as Henry Saunders, Jo Anne Parady (Players Club- The Life of Shakespeare, Stratford Shakespeare Festival– Othello) as Julia, Emily Solo (Charlottesville Opera- Sound of Music, New Camerata Opera- Infinite Energy) as Diana, andAlexandra Fortin (Red Monkey Group- HeddaGabler, Gallery Players- Steel Magnolias) as Maggie Saunders.

Lend Me A Tenor is stage managed by Abbey Murray. The creative team includes fight and intimacy choreography by Dan O’Driscoll, scenic and prop design by Sean Sanford, lighting design by RJ Romeo, costume design by Diane Vanderkroef, and sound design by Will Atkin.

Ticket prices range from $40-$65 plus fees and can be purchased online.  Support local theater!

Music Theatre of Connecticut (MTC)

509 Westport Ave Norwalk Ct

http://www.musictheatreofct.com

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